Fejos Postdoctoral Fellowship: Harjant Gill – U.S. Film Premiere

We are pleased to present a trailer and abstract for Dr. Harjant Gill who received a Fejos Postdoctoral Fellowship to aid filmmaking on Sent Away Boys.

Sent Away Boys will be making its U.S. premier this November at the Society for Visual Anthropology’s Film Festival at the AAA meetings in Minneapolis, MN.

Screening to be followed by Q&A with Harjant Gill.

DATE: November 16, 2016, 10:30 AM

LOCATION: Minneapolis Convention Center, Auditorium 2 (SVAA Film Festival at the AAAs)

Trailer: Sent Away Boys from Tilotama Productions.

Sent Away Boys: A Rural Landscape Transformed by Transnational Migration

Fejos Postdoctoral Fellowship

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to communities in the absence of men? Sent Away Boys weaves together testaments of individual ambitions and family biographies from Punjab, India to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how the decision to emigrate implicate the entire family and the larger community.

 

 

Fejos Postdoctoral Fellowship: Roger Canals – U.S. Film Premiere

We’re pleased to announce the U.S. Premiere of Wenner-Gren Foundation’s Fejos Fellow Roger Canals’ film, A Goddess in Motion at the Society for Visual Anthropology Film Festival.

Screenings are followed by Q&A with Kathryn S. Oths and Roger Canals.

The cult of María Lionza, one of the most important religious practices in Venezuela, is beginning to manifest itself in Barcelona. Through the testimonies of believers, artists and esoteric art sellers, this documentary depicts, for the first time, the appearance of this religion in the Catalan capital.

DATE: November 19, 2016, 1:20 PM
LOCATION: Minneapolis Convention Center, Auditorium 2 (SVAA Film Festival at the AAAs)

Wenner-Gren’s newest grant program, the Fejos Postdoctoral Fellowship in Ethnographic Film, is named in honor of Paul Fejos, the first director of the Wenner-Gren foundation and a pioneering ethnographic filmmaker. The grant allows an early-career academic to pursue the completion of a work of ethnographic film based on anthropological research already accomplished by the applicant.

 

Fejos Postdoctoral Fellowship: Roger Canals

Wenner-Gren’s newest grant program, the Fejos Postdoctoral Fellowship in Ethnographic Film, is named in honor of Paul Fejos, the first director of the Wenner-Gren foundation and a pioneering ethnographic filmmaker. The grant allows an early-career academic to pursue the completion of a work of ethnographic film based on anthropological research already accomplished by the applicant.

We are pleased to present a trailer and abstract for Fejos Fellow Dr. Roger Canals, who received the grant to aid filmmaking on ‘Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film’.

Trailer A GODDESS IN MOTION – Sub English from Jordi Orobitg Produccions on Vimeo.

 

Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film

Fejos Postdoctoral Fellowship

Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film is an innovative project about the cult of María Lionza which includes an ethnographic film and a website. The cult of María Lionza is a religious practice originating in Venezuela in which spirit possession is frequent. The film A goddess in motion (María Lionza in Barcelona) focuses on the increasing presence of this religious practice in Barcelona, my native city. Through the montage, I explore the transformations that this religion undergoes when it moves to another cultural context. Moreover, the film is conceived as a reflection upon the role of the ethnographer during the fieldwork and it seeks to discuss the difference between “here” and “there”, “sameness” and “otherness”. The objective of the website is two-fold: on the one hand it aims to make available the research that I have conducted on the cult of María Lionza to date and, on the other hand, it is presented as a participatory medium for the exchange of material and knowledge about María Lionza. Thus, it provides believers and artists with the possibility of sending new images of María Lionza and the cult rituals. As such, the website has been designed as a space for ethnographic experimentation.