Archive for Fejos Postdoctoral Fellowship

Fejos Postdoctoral Fellowship: Lucas Bessire

As we round out the year Wenner-Gren is pleased to present an abstract and trailer for Dr. Lucas Bessire who received a Fejos Postdoctoral Fellowship to aid filmmaking on The Ayoreo Video Project.

 

ayoreo_trailer_FINAL from Lucas Bessire on Vimeo.

The Ayoreo Video Project

Fejos Postdoctoral Fellowship

The Ayoreo Video Project is an experiment in visual anthropology and political advocacy through collaborative video-making with Ayoreo-speaking people. Developed over two years in collaboration with Totobiegosode-Ayoreo leadership and the organization Video Nas Aldeias, the project taught Ayoreo to make their own videos. It began with a video workshop in a remote village, which trained a select group of fourteen Ayoreo from five villages, three different Ayoreo tribes and both sides of the Bolivia/Paraguay border in the basics of digital filmmaking. The project assisted Ayoreo filmmakers as they conceived, shot and eventually edited videos on the topics and themes of their choice. The result is a set of four feature length films, meant as stand-alone parts of a quartet, which substantively revise previous filmic imagery of Ayoreo.  These include the first three Ayoreo-made videos and an ethnographic documentary about the process. Together, the films allow Ayoreo to tell their own stories about themselves, to speak back to impoverished representations of their humanity, and to facilitate cross-cultural dialogue in a context of violent dispossession. At the same time, the films open new directions for future reflection, research and advocacy.  They are:

Farewell to Savage.  2017. 70 minutes.  Directed by Lucas Bessire, with the Ayoreo Video Project.

Yiquijmapiedie / Our Ways. 2017. 52 minutes.  Directed by Chagabi Etacore.

Ore Enominone / Visions.  2017. 92 minutes. Directed by Ajesua Etacore, Daijnidi Picanerai, Chamia Chiqueno and Erui Etacore.

Ujirei / Regeneration. 2017. 55 minutes.  Directed by Mateo Sobode Chiqueno

To learn more about Dr. Bessire’s project we invite you to read his article in the November issue of Visual Anthropology Review.

Fejos Postdoctoral Fellowship: Joanne Nucho

We are pleased to present a trailer and abstract for Dr. Joanne Nucho who received a Fejos Postdoctoral Fellowship to aid filmmaking on The Narrow Streets of Bourj Hammoud.

The Narrow Streets of Bourj Hammoud from Joanne Nucho on Vimeo.

The Narrow Streets of Bourj Hammoud

Fejos Postdoctoral Fellowship

The Narrow Streets of Bourj Hammoud is a 90-minute experimental ethnographic film about a working class suburb of Beirut called Bourj Hammoud that was initially built to permanently settle Armenian refugees who had escaped the 1915 genocide in Ottoman lands. Today, it is a diverse district that is home to Lebanese of various sects as well as migrants and displaced peoples from Syria and all over the world. Filmed over a period of seven years, the film examines the overlapping histories of displacement through interlocutors’ experience of urban space over time. Through an innovative practice of “map-drawing interviews,” my collaborator and I, Lebanese artist Rosy Kuftedjian, asked participants to draw a visual representation of the neighborhood that reflects something that has changed over time, or that is meaningful. The results of the map-drawing interviews shape the narrative of the film, which is anchored in the city’s constantly shifting material urban infrastructures and the ways in which people variously experience rootedness and displacement through the materiality of streets, electricity cables, bridges and buildings. The result is a lyrical ethnographic reflection on space, time and material accretions of the past as narrated by longtime residents as well as recent arrivals to this city. The associated website for the film can be found here.

Fejos Postdoctoral Fellowship: Maple Razsa

We are pleased to present a trailer and abstract for Dr. Maple Razsa who received a Fejos Postdoctoral Fellowship to aid filmmaking on The Maribor Uprisings: An Interactive Documentary.

Trailer: The Maribor Uprisings: An Interactive Documentary.

The Maribor Uprisings: An Interactive Documentary

Fejos Postdoctoral Fellowship

In the once prosperous industrial city of Maribor, Slovenia, anger over political corruption became unruly revolt. In The Maribor Uprisings: A Live Participatory film—part documentary, part conversation, and part interactive experiment—you are invited to participate in the protests. Dramatic frontline footage from a video activist collective places you in Maribor as crowds surround and ransack City Hall under a hailstorm of tear gas canisters. As a viewer, you must decide collectively with your fellow audience members which cameras you will follow and therefore how the screening will unfold. Like those who joined the actual uprisings, you will be faced with the choice of joining non-violent protests or following rowdy crowds towards City Hall and greater conflict. These dilemmas parallel those faced by protesters everywhere as they grapple with what it means to resist. What sparks outrage? How are participants swept up in—and changed by—confrontations with police? Could something like this happen in your city? What would you do? What audiences see, the emotional quality of their experience, perhaps even whether they feel personally implicated in unruly protest, will all depend on the choices they make.

For more on The Maribor Uprisings check out the official website as well as POV Magazine’s in-depth review and IndieWire’s article about the nine independent films that deserve more attention in 2017. 

Fejos Postdoctoral Fellowship: Harjant Gill – U.S. Film Premiere

We are pleased to present a trailer and abstract for Dr. Harjant Gill who received a Fejos Postdoctoral Fellowship to aid filmmaking on Sent Away Boys.

Sent Away Boys will be making its U.S. premier this November at the Society for Visual Anthropology’s Film Festival at the AAA meetings in Minneapolis, MN.

Screening to be followed by Q&A with Harjant Gill.

DATE: November 16, 2016, 10:30 AM

LOCATION: Minneapolis Convention Center, Auditorium 2 (SVAA Film Festival at the AAAs)

Trailer: Sent Away Boys from Tilotama Productions.

Sent Away Boys: A Rural Landscape Transformed by Transnational Migration

Fejos Postdoctoral Fellowship

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to communities in the absence of men? Sent Away Boys weaves together testaments of individual ambitions and family biographies from Punjab, India to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how the decision to emigrate implicate the entire family and the larger community.

 

 

Fejos Postdoctoral Fellowship: Roger Canals – U.S. Film Premiere

We’re pleased to announce the U.S. Premiere of Wenner-Gren Foundation’s Fejos Fellow Roger Canals’ film, A Goddess in Motion at the Society for Visual Anthropology Film Festival.

Screenings are followed by Q&A with Kathryn S. Oths and Roger Canals.

The cult of María Lionza, one of the most important religious practices in Venezuela, is beginning to manifest itself in Barcelona. Through the testimonies of believers, artists and esoteric art sellers, this documentary depicts, for the first time, the appearance of this religion in the Catalan capital.

DATE: November 19, 2016, 1:20 PM
LOCATION: Minneapolis Convention Center, Auditorium 2 (SVAA Film Festival at the AAAs)

Wenner-Gren’s newest grant program, the Fejos Postdoctoral Fellowship in Ethnographic Film, is named in honor of Paul Fejos, the first director of the Wenner-Gren foundation and a pioneering ethnographic filmmaker. The grant allows an early-career academic to pursue the completion of a work of ethnographic film based on anthropological research already accomplished by the applicant.

 

Fejos Postdoctoral Fellowship: Roger Canals

Wenner-Gren’s newest grant program, the Fejos Postdoctoral Fellowship in Ethnographic Film, is named in honor of Paul Fejos, the first director of the Wenner-Gren foundation and a pioneering ethnographic filmmaker. The grant allows an early-career academic to pursue the completion of a work of ethnographic film based on anthropological research already accomplished by the applicant.

We are pleased to present a trailer and abstract for Fejos Fellow Dr. Roger Canals, who received the grant to aid filmmaking on ‘Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film’.

Trailer A GODDESS IN MOTION – Sub English from Jordi Orobitg Produccions on Vimeo.

 

Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film

Fejos Postdoctoral Fellowship

Afro-Venezuelan Rituals in Barcelona: A Comparative Study of Religious Nomadism through Film is an innovative project about the cult of María Lionza which includes an ethnographic film and a website. The cult of María Lionza is a religious practice originating in Venezuela in which spirit possession is frequent. The film A goddess in motion (María Lionza in Barcelona) focuses on the increasing presence of this religious practice in Barcelona, my native city. Through the montage, I explore the transformations that this religion undergoes when it moves to another cultural context. Moreover, the film is conceived as a reflection upon the role of the ethnographer during the fieldwork and it seeks to discuss the difference between “here” and “there”, “sameness” and “otherness”. The objective of the website is two-fold: on the one hand it aims to make available the research that I have conducted on the cult of María Lionza to date and, on the other hand, it is presented as a participatory medium for the exchange of material and knowledge about María Lionza. Thus, it provides believers and artists with the possibility of sending new images of María Lionza and the cult rituals. As such, the website has been designed as a space for ethnographic experimentation.